Amélie les Bains, A la Casa Restany exhibition
Installation Video
Works Exhibited








































































































































About Exhibition
Mayor on artist
It’s an explosion of colors that awaits you at first glance. Raw, bright colors that sing, that shout, that laugh on the canvas in daring juxtapositions that destabilize the Western eye, accustomed to the comfort of shades and other, more polished chromatic codes: oranges rub shoulders with fuchsias, lilacs flirt with yellows in a joyful exuberance of pure hues that Derain or Matisse would not have denied. Because undeniably, if India is the inviting power of this great festival of colors, filiations can be uncovered in the artist’s technique.
This is only a first degree of perception. Like a leaf placed on gum arabic water, a representation seems to emerge from the canvas, often some living creature: Sen Shombit’s paintings are thus both abstract and figurative, carrying their own future under the gaze of the one who immerses himself in it.
Amélie les Bains
Antiquity and modernity intertwine in the green setting of Amélie-les-Bains with 300 days of sunshine. The baths built by Roman settlers date back to 633 BC. Nestled at the foot of the Canigou massif, this commune in the Pyrénées-Orientales located on the edge of rivers Tech and Mondony has become a green resort.
People come here to be treated in sulfurous springs (20-60°C), to enjoy the calm of nature and its artistic and cultural environment. The French art critic and cultural philosopher Pierre Restany (1930-2003) was born here. Its cultural space is therefore named Casa Restany in his honor.


















